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"Given the fact of the immortality of the spirits, could this be the reason I wanted to be born... It may be that in the land of origins, when many of us were birds, even all these reasons had nothing to do with why I wanted to live."

All products are 100% handmade

LORA Vase
Asian Harmony
Very Bird Set
Very Bird Set

Process

Design

My creative process combines sculpture, pottery and 3-D design techniques. I sketch small, quick ideas, and then explore them in plaster and clay. I love carving plaster and have made many plaster models. I use these models to see the variations within a form, and to observe it as it shifts with subtle changes.

I also throw clay on the wheel. This allows me to get a sense of the basic shape, to really feel it from inside and out. I work the curves and the volume. Then I explore proportions – the relationship of foot, body, and lip. Finally, I adjust the wheel-made piece from its symmetry to curves that take different directions. The result ing piece moves and grows as you turn it in your hands.

Production

After I complete the original design, I make a plaster mold. This allows me to reproduce the cup, bowl or vase many times over, using clay specially formulated for pouring into molds. The slip clay is silky smooth and rich, and a joy to work with. I also see mold making as an art in itself – each mold a thing of beauty and function. Each piece is removed from the mold by hand, then cleaned and finished by hand. This handling gives all my work its individual character.

I continuously experiment with my process and materials. I make all of my glazes and earthenware colors. This means that designs change and evolve frequently. Because I am in control of my production, I like to do small runs of each piece, then change it in an interesting way and make a new mold. I am free to introduce new glaze colors, a new glaze treatment, or a new colored clay. And best of all, I am free to make new forms. All this goes to say that the pieces are unique because I enjoy making and changing them. The piece you purchase is from a limited edition. Your piece belongs to a particular time and place in my creative journey.

Materials

Porcelain

Black and white porcelain is used to show the subtle softness of the shapes and emphasize light and shadow. The material is both glass and stone-like, left unglazed to show off its natural sheen. It is fully vitreous and holds liquid beautifully. It has a formal quality, which allows the pieces to look like sculpture.

Earthenware

Earthenware is a lower temperature clay that has a warm, light, sturdy quality. It holds its shape easily and allows for a variety of glaze colors and surfaces. It is perfect for holding the strong curves of my pieces. I associate it with granite, brick, tile and mortar. I color the earthenware in soft mauve, charcoal and brown to suggest the materials of home.

Glazes

I love the soft satin sheen of my glazes -- they shimmer. This surface truly highlights the forms, absorbing light and reflecting it softly. Each curve dazzles. Colors are basic and soft, to fit in any environment. From black and white, to mocha and seashell, to beige, grey, muted green, soft yellow and peach.


Irina Davidovich

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